<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/"><channel><title>Tonemap on TinyChen's Blog</title><link>https://tinychen.com/tags/tonemap/</link><description>Recent content in Tonemap on TinyChen's Blog</description><generator>Hugo</generator><language>zh-cn</language><lastBuildDate>Thu, 23 Jul 2026 12:00:00 +0800</lastBuildDate><atom:link href="https://tinychen.com/tags/tonemap/index.xml" rel="self" type="application/rss+xml"/><item><title>Octans-媒体库动态范围与色彩管线</title><link>https://tinychen.com/20260426-octans-dynamic-range-color-pipeline/</link><pubDate>Sun, 26 Apr 2026 12:00:00 +0800</pubDate><guid>https://tinychen.com/20260426-octans-dynamic-range-color-pipeline/</guid><description>&lt;p&gt;本文主要说明自托管媒体库（以 Octans 一类播放子系统为例）在协商 DirectPlay / DirectStream / Transcode 时，为何「能解码」不等于「能正确显示」：动态范围与色彩管线应作为独立事实进入 Planner，DirectStream 的视频 copy 不能自动修 HDR，tone mapping 属于完整转码，以及 Dolby Vision 为何必须按 profile / fallback 保守处理。&lt;/p&gt;</description></item></channel></rss>